| “These Critics (Still) Don’t Write Enough about Women Artists” Gender Inequality in the Newspaper Coverage of Arts and Culture in France, Germany, the Netherlands, and the … P Berkers, M Verboord, F Weij Gender & Society 30 (3), 515-539, 2016 | 30 | 2016 |
| The politics of musical activism: Western YouTube reception of Pussy Riot’s punk performances F Weij, P Berkers Convergence 25 (2), 287-306, 2019 | 21 | 2019 |
| Western solidarity with P ussy R iot and the T wittering of cosmopolitan selves F Weij, P Berkers, J Engelbert International Journal of Consumer Studies 39 (5), 489-494, 2015 | 14 | 2015 |
| Artivist reception on Twitter: Art, politics and social media F Weij, P Berkers Information, Communication & Society 26 (8), 1618-1636, 2023 | 6 | 2023 |
| Genderongelijkheid in de dagbladberichtgeving over kunst en cultuur. Een vergelijkende studie van Frankrijk, Duitsland, Nederland en de Verenigde Staten, 1955-2005. P Berkers, M Verboord, F Weij Tijdschrift Sociologie 10 (2), 124-146, 2014 | 5 | 2014 |
| Geopolitics of Artivism: Evaluation of artivism in the art and media domain in cross-national context F Weij | | 2021 |
| Winds of Change? Longitudinal Trends and Cross-National Differences P Berkers, J Schaap Gender Inequality in Metal Music Production, 27-45, 2018 | | 2018 |
| Dominique Caubet, Shouf Shouf Hollanda: succesvol en Marokkaan F Weij Volume!. La revue des musiques populaires, 194-196, 2016 | | 2016 |
| “These Critics (Still) Don’t Write Enough about Women Artists”: Gender Inequality in the Newspaper Coverage of Arts and Culture in France, Germany, the Netherlands, and the … F Weij, M Verboord, P Berkers Gender and Society 30 (3), 2016 | | 2016 |
| Accepted manuscript of: Weij, Frank. 2016. Shouf Shouf Hollanda: succesvol en Marokkaan. Volume! 13 (1): 194-196. F Weij | | |
