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²ëüíèöüêà Ìàð³ÿ Áîðèñ³âíà
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The specifics of fiction by Oksana Drahomanova and Sanmao
ÌÁ ²ëüíèöüêà
Íàóêîâèé â³ñíèê ̳æíàðîäíîãî ãóìàí³òàðíîãî óí³âåðñèòåòó. Ñåð.: Ô³ëîëîã³ÿ …, 2024
2024
ÑÏÅÖÈÔ²ÊÀ ÕÓÄÎÆÍÜί ÏÐÎÇÈ ×ÆÀÍ ÀÉ˲Í
ÌÁ ²ëüíèöüêà
Íàóêîâèé â³ñíèê ̳æíàðîäíîãî ãóìàí³òàðíîãî óí³âåðñèòåòó, 139-145, 2023
2023
COMMON IMAGE CHARACTERISTICS OF A WOMAN IN THE WORKS BY SOFIA YABLONSKA-OUDIN AND EILEEN CHANG ÑϲËÜͲ ÐÈÑÈ ÇÎÁÐÀÆÅÍÍß ÎÁÐÀÇÓ Æ²ÍÊÈ Â ÒÂÎÐ×ÎÑÒ² ÑÎÔ²¯ ßÁËÎÍÑÜÊί-ÓÄÅÍ ÒÀ ×ÆÀÍ …
MB Ilnytska
Ô²ËÎËÎò×Ͳ ÑÒÓIJ¯, 168, 2023
2023
IMAGOLOGICAL DOMINANTS IN THE WORK BY OLHA MAK ²ÌÀÃÎËÎò×Ͳ ÄÎ̲ÍÀÍÒÈ Â ÒÂÎÐ×ÎÑÒ² ÎËÜÃÈ ÌÀÊ
MB Ilnytska
Ô²ËÎËÎò×Ͳ ÑÒÓIJ¯, 254, 2023
2023
CHARACTERISTIC FEATURES OF CHINESE DIASPORA’S PROSE OF THE SECOND HALF IN THE 20TH CENTURY
MB Ilnytska
ÍÀÓÊÎÂÈÉ Â²ÑÍÈÊ Ì²ÆÍÀÐÎÄÍÎÃÎ ÃÓÌÀͲÒÀÐÍÎÃÎ ÓͲÂÅÐÑÈÒÅÒÓ, 69, 2023
2023
GOVERNMENT “INSANITY” MOTIVES IN OLENA ZVYCHAINA'S AND EILEEN CHANG`S WORKS
ÌÁ ²ëüíèöüêà
Íàóêîâèé â³ñíèê ̳æíàðîäíîãî ãóìàí³òàðíîãî óí³âåðñèòåòó 2 (53), 67-72, 2022
2022
ÒÈÏÎËÎò×Ͳ ÑÕÎÄÆÅÍÍß ÒÂÎÐ×ÎÑÒ² ÎËÅÍÈ ÇÂÈ×ÀÉÍί ² ×ÆÀÍ ÀÉ˲Í: ÌÎÒÈÂÈ ÊÎÍÑÒÐÓÞÂÀÍÍß ²ÄÅÍÒÈ×ÍÎÑÒ² ÏÅÐÑÎÍÀƲÂ
²ÌÁ Áðîâêî Î.Î.
ÍÀÓÊÎÂÈÉ Â²ÑÍÈÊ Ì²ÆÍÀÐÎÄÍÎÃÎ ÃÓÌÀͲÒÀÐÍÎÃÎ ÓͲÂÅÐÑÈÒÅÒÓ, 115, 2021
2021
Ó äàíèé ìîìåíò ñèñòåìà íå ìîæå âèêîíàòè îïåðàö³þ. Ñïðîáóéòå ï³çí³øå.
Ñòàòò³ 1–7