Êîìóí³êàòèâíèé ï³äõ³ä â àíãëîìîâí³é ìàòåìàòè÷í³é ï³äãîòîâö³ â³ò÷èçíÿíèõ çäîáóâà÷³â óí³âåðñèòåò³â À Ëåãåéäà, Ò ßðõî, Ò ªìåëüÿíîâà InterConf, 197-202, 2021 | 3 | 2021 |
ÊÎÍÖÅÏÒÓÀËÜÍÀ ÎÑÍÎÂÀ Á²Ë²ÍÃÂÀËÜÍÎÃÎ ÍÀÂ×ÀÍÍß ÌÀÒÅÌÀÒÈÊÈ Â²Ò×ÈÇÍßÍÈÕ ÇÄÎÁÓÂÀײ ÓͲÂÅÐÑÈÒÅҲ À Ëåãåéäà, Ò ßðõî, ª ªìåëüÿíîâà EDITOR COORDINATOR, 187, 2021 | 2 | 2021 |
ÔÎÐÌÓÂÀÍÍß ÀÍÃËÎÌÎÂÍÎÃÎ ÌÀÒÅÌÀÒÈ×ÍÎÃÎ ÌÈÑËÅÍÍß Â²Ò×ÈÇÍßÍÈÕ ÇÄÎÁÓÂÀײÂ: ˲ÍÃÂÎÄÈÄÀÊÒÈ×ÍÈÉ ÀÑÏÅÊÒ À Ëåãåéäà, Ò ßðõî, Ò ªìåëüÿíîâà, à Áîáðèöüêà InterConf, 164-170, 2021 | 1 | 2021 |
ʳíîàäàïòàö³ÿ ó ñèíåðãåòè÷í³é ïàðàäèãì³: ó ïîøóêàõ ñèíüîãî ïòàõó ì³æäèñöèïë³íàðíî¿ ìåòîäîëî㳿 À Ëåãåéäà Íàóêîâ³ çàïèñêè [Íàö³îíàëüíîãî óí³âåðñèòåòó Îñòðîçüêà àêàäåì³ÿ]. Ñåð …, 2013 | 1 | 2013 |
The Art Of Screen Adaptation: Recognizing Semiotic Differences Or Thinking Outside The Page À Ëåãåéäà | 1 | |
Ìåíòàëüíèé ïðîñò³ð ÿê õàðàêòåðèñòèêà âíóòð³øí³õ êîãíèòè³íèõ ìåõàí³çì³â ìèñëåííÿ îñîáèñòîñò³ â íàâ÷àëüíîìó ïðîöåñ³ Ò ªìåëüÿíîâà, À Ëåãåéäà Scientific Collection «InterConf+», 98-105, 2022 | | 2022 |
ÊËÞ×ÎÂÈÉ ÌÅÕÀͲÇÌ ÏÅÐÅÕÎÄÓ ÄÎ ÑÒÀIJ¯ ÂвÂÍÎÂÀÆÅÍÎÃÎ Á²Ë²ÍòÇÌÓ Â ÀÍÃËÎÌÎÂÍÎÌÓ ÍÀÂ×ÀÍͲ ÌÀÒÅÌÀÒÈÊÈ ÇÄÎÁÓÂÀײ ÓͲÂÅÐÑÈÒÅҲ À Ëåãåéäà, Ò ßðõî, Ò ªìåëüÿíîâà InterConf, 2021 | | 2021 |
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ÕÅÄÆÈÍà ßÊ ÏÎÒÅÍÖ²ÉÍÀ ÇÎÍÀ ËÀÊÓÍÀÐÍÎÑÒ²  ÑÓ×ÀÑÍÎÌÓ ÏÎ˲ÊÓËÜÒÓÐÍÎÌÓ ÏÐÎÑÒÎв À ËÅÃÅÉÄÀ Íàóêîâ³ çàïèñêè.–Âèïóñê 118.–Ñåð³ÿ: Ô³ëîëîã³÷í³ íàóêè (ìîâîçíàâñòâî …, 0 | | |