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Îëüãà Êóçíºöîâà
Îëüãà Êóçíºöîâà
äîöåíò êàôåäðè àíãë³éñüêî¿ ô³ëîëî㳿, Õàðê³âñüêèé íàö³îíàëüíèé óí³âåðñèòåò ³ìåí³ Â.Í. Êàðàç³íà
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Year
˳íãâîêðåàòèâí³ñòü àâòîðà â êàðíàâàëüí³é ñâ³äîìîñò³
ÂÎ Ñàìîõ³íà, ΠÊóçíºöîâà
Ñâ³ò ìîâè–ñâ³ò ó ìîâ³: ìàòåð³àëè ×åòâåðòî¿ ì³æíàðîäíî¿ íàóêîâî¿ êîíôåðåíö³¿ …, 2017
52017
The role of the creolized text in Dave Barry’s comic idiodiscourse
OV Kuznietsova
space 9, 73-74, 2017
52017
Ïîñòìîäåðí³ñòñüêèé êîì³÷íèé ³ä³îäèñêóðñ Äåéâà Áàðð³
ΠÊóçíºöîâà
42019
Òåìà-ðåìàòè÷íà ïðîãðåñ³ÿ ÿê êîãí³òèâíèé ìåõàí³çì êîì³÷íîãî
ΠÊóçíºöîâà
³ñíèê ÕÍÓ ³ìåí³ ÂÍ Êàðàç³íà. Ñåð³ÿ: ²íîçåìíà ô³ëîëîã³ÿ. Ìåòîäèêà âèêëàäàííÿ …, 2017
42017
²ä³îäèñêóðñ ÿê ïðîÿâ ë³íãâîêðåàòèâíîãî ìèñëåííÿ àâòîðà â êàðíàâàëüí³é ñâ³äîìîñò³ (íà ìàòåð³àë³ õóäîæí³õ òåêñò³â àìåðèêàíñüêîãî ïèñüìåííèêà Äåéâà Áàðð³)
ÂÎ Ñàìîõ³íà, ΠÊóçíºöîâ
ÍÏÓ ³ìåí³ ÌÏ Äðàãîìàíîâà, 2017
32017
Polycode essence of postmodern comic literary text
V Samokhina, O Kuznietsova, V Pasynok
Theory and Practice in Language Studies 12 (9), 1711-1717, 2022
22022
Creolized book cover as an element of Dave Barry’s comic idiodiscourse
O Kuznietsova
8th Łódź Symposium New Developments in Linguistic Pragmatics, P 73-74, 2017
22017
²ä³îäèñêóðñ Äåéâà Áàðð³ â àíòðîïîöåíòè÷í³é ïàðàäèãì³ ñüîãîäåííÿ (Idiodiscourse of Dave Barry in modern anthropocentric paradigm)
Î Êóçíºöîâà
Íàóêîâ³ çàïèñêè Íàö³îíàëüíîãî óí³âåðñèòåòó «Îñòðîçüêà àêàäåì³ÿ». Ñåð³ÿ …, 2016
22016
ÅÊÑÏ˲ÊÀÖ²ß ÒÅÌÀ-ÐÅÌÀÒÈ×ÍÎÃÎ ÌÅÕÀͲÇÌÓ ÊÎ̲×ÍÎÃÎ ÍÀ ÊÐÅÎ˲ÇÎÂÀÍÈÕ ÒÅÊÑÒÀÕ (ÍÀ ÌÀÒÅвÀ˲ ²ÍÒÅÐÍÅÒ-ÌÅ̲Â) EXPLICATION OF THE THEME-RHEME MECHANISM OF CREATING COMIC IN CREOLIZED …
ΠÊóçíºöîâà
Çàêàðïàòñüê³ ô³ëîëîã³÷í³ ñòó䳿, 77-81, 2021
12021
Ðåàë³çàö³ÿ êîìóí³êàòèâíî¿ ôóíêö³¿ ó êîì³÷íîìó ³ä³îäèñêóðñ³ Ä. Áàðð³
ΠÊóçíºöîâà
³ñíèê ÕÍÓ ³ìåí³ ÂÍ Êàðàç³íà. Ñåð³ÿ: ²íîçåìíà ô³ëîëîã³ÿ. Ìåòîäèêà âèêëàäàííÿ …, 2018
12018
Ôóíêö³îíàëüíà ïðèðîäà òåìà-ðåìàòè÷íî¿ ïðîãðåñ³¿ â êîì³÷íîìó õóäîæíüîìó òåêñò³
ΠÊóçíºöîâà
Îðãàí³çàö³éíèé êîì³òåò êîíôåðåíö³¿, 82, 2018
12018
Ìîâëåííºâà ìàñêà ÿê çàñ³á ïåðåâò³ëåííÿ àâòîðà êîì³÷íîãî ³ä³îäèñêóðñó
ΠÊóçíºöîâà
Ô³ëîëîã³÷í³ òðàêòàòè, 46-54, 2017
12017
Ìîâëåííºâà ìàñêà ÿê ìåõàí³çì ñòâîðåííÿ îáðàçó àâòîðà
ΠÊóçíºöîâà
ÎÐÃÀͲÇÀÖ²ÉÍÈÉ ÊÎ̲ÒÅÒ, 84, 0
1
Ïðàêòè÷íà ãðàìàòèêà àíãë³éñüêî¿ ìîâè. Óìîâíèé ñïîñ³á: íàâ÷àëüíî ìåòîäè÷íèé ïîñ³áíèê
ΠÊóçíºöîâà,  Êóêóøê³í, ²Þ Íàáîêîâà
Õàðê³â: ÕÍÓ ³ìåí³ ÂÍ Êàðàç³íà, 2023
2023
THE CHARACTERISTIC FEATURES OF THE CREOLIZED HUMOROUS TEXT (FUNCTIONAL ASPECT)
OV Kuznietsova
Publishing House “Baltija Publishing”, 2022
2022
ÅÌÎÒÈÂÍÀ ÊÐÅÀÒÈÂͲÑÒÜ ßÊ ÁÀÇÎÂÀ ÕÀÐÀÊÒÅÐÈÑÒÈÊÀ ÊÎ̲×ÍÎÃÎ ÅÊÎ-ÄÈÑÊÓÐÑÓ
Î Êóçíºöîâà
Íàóêîâ³ çàïèñêè Íàö³îíàëüíîãî óí³âåðñèòåòó «Îñòðîçüêà àêàäåì³ÿ»: Ñåð³ÿ …, 2022
2022
ÀÊÒÓÀ˲ÇÀÖ²ß ÊÐÈÒÈ×Íί ÔÓÍÊÖ²¯  ÊÎ̲×ÍÎÌÓ ²Ä²ÎÄÈÑÊÓÐѲ ÄÅÉÂÀ ÁÀÐв
ΠÊóçíºöîâà
ÍÀÓÊÎÂÈÉ Â²ÑÍÈÊ Ì²ÆÍÀÐÎÄÍÎÃÎ ÃÓÌÀͲÒÀÐÍÎÃÎ ÓͲÂÅÐÑÈÒÅÒÓ, 95, 2021
2021
«Tenses of the English verb»: íàâ÷àëüíî-ìåòîäè÷íèé ïîñ³áíèê
ΠÊóçíºöîâà, ÞÑ Ñêðèíí³ê, ÑÎ Òàðàñîâà
Õàðê³â: ÕÍÓ ³ìåí³ ÂÍ Êàðàç³íà, 2021
2021
Ïîñòìîäåðí³ñòñüêèé êîì³÷íèé ³ä³îäèñêóðñ Äåéâà Áàðð³ (àâòîðåôåðàò)
ΠÊóçíºöîâà
2019
ÅϲÑÒÎËßÐ²É ÌÈÊÎËÈ ËÈÑÅÍÊÀ ßÊ ÄÆÅÐÅËÎ ÂÈÂ×ÅÍÍß ÉÎÃΠ²ÄÍÎÑÈÍ ²Ç ÃÀËÈ×ÀÍÀÌÈ
Î Êóçíºöîâà
Óêðà¿íñüêà ìóçèêà, 164-173, 2018
2018
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