Êëàñè÷í³ ñòàòò³
ÍàçâàÀâòîðÏîñèëàííÿ
Connecting drama and writing: Seizing the moment to write
T Cremin, K Goouch, L Blakemore, E Goff… - Research in Drama …, 2006
Teresa CreminTeresa Cremin
69
A “performative-I” copresence: Embodying the ethnographic turn in performance and the performative turn in ethnography
T Spry - Text and Performance Quarterly, 2006
Íåìຠïðîô³ëþ
57
Dance and the Political: States of Exception.
M Franko - Dance Research Journal, 2006
Mark FrankoMark Franko
53
Marking new directions in performance ethnography
D Pollock - Text and Performance Quarterly, 2006
Íåìຠïðîô³ëþ
51
Constructing memories: Creation of the choreographic resource
S Delahunta, N Zuniga Shaw - Performance Research, 2006
Scott deLahuntaScott deLahunta
41
Stanislavsky and Ramacharaka: the influence of Yoga and turn-of-the-century occultism on the system
RA White - Theatre Survey, 2006
Íåìຠïðîô³ëþ
39
Anger, irony, and protest: Confronting the issue of efficacy, again
M Chvasta - Text and Performance Quarterly, 2006
Marcy ChvastaMarcy Chvasta
36
Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context
L Dalrymple - Research in drama education, 2006
Íåìຠïðîô³ëþ
36
Drama and imagination: a cognitive theory of drama's effect on narrative comprehension and narrative production
WK Mages - Research in Drama Education, 2006
Íåìຠïðîô³ëþ
34
Utopia in performance
J Dolan - Theatre Research International, 2006
Jill DolanJill Dolan
34
Äàòè é ê³ëüê³ñòü öèòóâàíü º ïðèáëèçíèìè. Âîíè âèçíà÷àþòüñÿ àâòîìàòè÷íî êîìï’þòåðíîþ ïðîãðàìîþ.